Poetry and Rants by DC McKenzie

Poetry by DC McKenzie

Extrusion and Rivet

31 July 2016
Recently, Dear Reader, I was deeply honored to have my poem Extrusion selected by Cirque: A Literary Journal for Alaska and the Pacific Northwest  for publication in their 14th. Issue, which was released this July. Mighty massive thanks to Editor Sandra Kleven, a savvy, insightful editor and skookum friend.
While I was unable to attend the launch here in Rage City, a dear friend, cohort, and fellow poet, Peter Porco—also featured in this issue of Cirque, I should add— intrepidly elected to read it during the festivities.
A thousand thanks, Peter, you made the plight of that little yard lizard, and our hand in its fate, creep into the minds of all who see the clip, and you do it with sangfroid. My hat’s off to you.
The video can be found on Cirque’s fab facebook page: Cirque Journal; meanwhile, if I can find a way to embed it you know I will.
I’m taking down the version that was featured here. If you’d like to have a read, please surf over to Cirque, where I am surrounded by a convocation of immensely talented poets, authors, and artists. Fully available online, you can also order a copy for a fair price. (I receive naught a penny on sales, folks…just that being a poet, I’ll always dig pages over pixels.)

It somehow feels unnatural, disingenuous even, to leave you without a poem. It is my job, after all. And you’ve come all this way for a sales pitch!?! I think not.
Lately the concept of redemption has been on my mind. You don’t have to look far to find symptoms of rot, apathy, and naked greed in our society, but in the same glance you’ll find countless souls seeking redemption; and so often it is these very souls that display the most remarkable acts of generosity, kindness, and human empathy. This is for those of us on the path of Redemption; may you find what you seek…

~*~

Rivet
Variant № 8

 

Redemption is a steel beam
running up your spine.

I recommend a permanent installation
affixed on the outside, a gruesome renovation.

There it can be seen by all, and
with ease polished to a high sheen

To avoid the unsightly tarnish
of blood, shame, and rust.

With hot rivets, hammer the bone-girder
right into your marrow;

Where in cannot become dislodged
by the innate brittleness

Of occasional backsliding and failure.
—Or did you believe the slate wiped clean?

You believed Absolution is final?
No, as with our mistakes

We are interdependent
with our Saviors.

So, strive not to walk too stiffly
beneath your bone-grafted burden.

Bear your penance with some show of dignity,
ignoring the desultory loathing

You will find in those unwilling
to fashion their own soul scaffolding.

Smile when invariably you’re asked why
you walk so strangely, as if

 you had a steel beam shoved up your ass?
Just tell them that you have been Redeemed.

 ~by DC McKenzie
22 June 2016

[End Transmission]

 


Natura Corroditur

9 August 2k15

“The atomic bomb made the prospect of future war unendurable. It has led us up those last few steps to the mountain pass and beyond there is a different country.” ~Dr. J Robert Oppenheimer

“Our world faces a crisis as yet unperceived by those possessing power to make great decisions for good or evil. The unleashed power of the atom has changed everything save our modes of thinking and we thus drift toward unparalleled catastrophe.” ~Albert Einstein, New York Times, 25 May 1946

“Natura Potest Fieri Furioso” ~Unknown

Seventy years ago today, The United States of America, and her Allies, completed the first Atomic bombing campaign in human history when we dropped the Plutonium bomb, Fat Man, on the city of Nagasaki, Japan.
Three days earlier, Little Boy, the first and last Uranium bomb, was dropped on Hiroshima. In the months and years to come the whole world would learn the devastating impact that nuclear weapons cause to life itself; rendering the very Earth a poisonous, parched heap of scorched rubble. We know now the genetic blight that nuclear weapons bring.

However, there was one man who never saw the risk of nuclear weapons as being too high for their perceived value. He never admitted, to my knowledge, that the building and stockpiling of these weapons–the much vaunted Mutually Assured Destruction strategy–was a kind of paranoid madness that overcame much of humanity in the wake of the our thunderous entry into the Nuclear age.
Yet, more importantly for this discussion, I am speaking of the creation of the Hydrogen Bomb. Many—Scientists, Citizens, and Generals alike—argued that such weapons were completely unnecessary. But our man championed them. That man, widely considered to be the father of the H-Bomb, was Edward Teller.
Here was an archetype Mad Scientist if I ever beheld one.
It was he who put the final nail in the the career of Dr. Oppenheimer, who was an opponent of the Hydrogen bomb project.
Influential in many world-changing events such as being among the main driving forces behind Operation Crossroads (the July 1946 Plutonium bombing of Bikini Island and the Ghost Fleet), and other subsequent Nuclear tests, Edward Teller is also widely held to be directly responsible for Dr. Oppenheimer being exiled from Washington D.C., and losing his security clearance during a Witch Hunt. A vicious stab in the back to a man who gave his brilliant mind and most of his career to his country. Regardless of how we may personally feel about Dr. Oppenheimer, the man deserved better.

Edward Teller did not escape the consequences of his political machinations; nor did his single-minded pursuit of the Hydrogen bomb come without fallout. Indeed, I understand that a great many of Teller’s colleagues despised him for what he did to Oppenheimer, for his part in Operation Crossroads, and for his part in ensuring the proliferation of the most frightening and dangerous weapons Humanity has ever created. As for his legacy, Dear Reader? Being as we are history, I invite you to read more about Teller…then you be the judge.

~*~

Untitled Poem 235

Edward Teller has died, at last;
I shall curse him no more.

Still, I want to send him dead roses.
Petals fetid, craven thorns and all;
blossoms fattened on brine and nox,

—yes, and with sick, withered leaves
tied demure in a pink, cardboard box.

For siring the Hydrogen bomb
he deserves no less, and likely much more.

By now it has been explained to him
that security is a superstition;
that we can neither love, nor even live

—without consequences;

that, like electrons, life moves in a circle;
and that what goes around, really goes around.

By now Edward has gustily slurped
the quark soup of our beginning
and found all of his answers, in the end.

Maybe there are no superstrings to bind our hands.
But, perhaps there should be…

From Edward Teller, at least,
there will not spring
any further ghastly surprises.

He has become glass without bubbles.
He has been struck on the Big Collider

—split, fissured, unharnessed.

And I will not curse him
for he has enough to worry about as it is.

by DC McKenzie
6 August 2k5

—end transmission—


Umbra: or, poem that nearly was not

2 August 2015

“Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?”   ~Kurt Vonnegut

“The last thing we discover in composing a work is what to put down first.”  ~Blaise Pascal

Some poems are fated to die before their potential, their full glory, is ever attained; in this way, as in so many ways I’ve discovered to my endless fascination, poems are much like humans. It may be that the Seed of Idea on which the poem depends never germinates, though we pour our life onto it; or that, like animals of the wild—including homo sapiens it must be admittedthey are abandoned due to some Terrible Trauma or similar ilk which Nature is so fond of handing out like a ruthless teacher with homework assignments; or simply because they smell wrong. Which seems ridiculous to you and I, but which is of undeniable mortal importance to a vast number of species.

This is one of a set of poems that came very close to perishing in the deep freeze of a year-long Writer’s Block. A state which to this day reminds me so much of what I imagine to be the outbound journey to aphelion that stellar bodies undergo in their gravitational orbits. Aphelion, that point which is furthest from the sun, is such an apt metaphor for the hell of chronic Depression, and concurrent Writer’s Block, that I find myself returning to its rich imaginative spaces for ore…the words that I process to fuel my life. Now that I have begun my own journey back to a poetic perihelion, the words have begun to trail out behind me once more…

But before the thaw, I had come to think this would remain a sad nebula of ideas and half-finished verses; a primordial soup lacking the necessary Promethean lightning. Digital debris destined never to produce a poem. Until a few days ago, when I found myself opening the old file. During the familiar alchemy of transferring it over to my working journal—ink and paper being capable of surmounting the sum of their parts in a way that computers never can—I stumbled onto the trail of uncanny ideas, and melancholy memories that had led me to begin writing it in the first place.

It’s an aspect of writing which authors are forever attempting to define, to describe—right in the face of our mandate to Show, Do Not Tell.
Yet, we do it because it’s so near to the heart of why we write in the first place. The alchemy of composition is honestly far more gratifying than the glory of seeing a finished, published poem, and it is also equally as personal.
That magic is what drives me to get up at four in the damn morning to scribble. I suspect that every writer, indeed every artist, shares this. Yet, in a vocation built on the finesse of description, it’s ironically one of the majesties of our art that most often defies definition. And, regardless of what labels are applied, in this bittersweet, ineffable Life you have to take your miracles where you find them.

~*~

 

Umbra

I.
Redhaired Amy daydreams
into smoke become nebulous in moonlight;
entwined Van Gogh-gyrations of gunmetal ghosts.

Undulating, with her haphazard smiles,
Amy drags the husks of dead stars in her wake.
Tonight Earth jealously eclipsed Moon. As we drifted

between Luna’s infernal lover, the sunlight unceasing
cast a ruddy blush upon her majestic face;
lest Moon, however briefly, forget to dance.

Amy smokes the way ravenous people eat
                             —all jaws and no tongue.

For hours on end, she stares ardently at Moon
as if her gaze tattoos love bites on ice-dusty peaks,
carves runes within secret, darkside craters.

If Moon slept
she would only feel safe
wrapped in the arms of Sol.

II.
Redhaired Amy cannot live
away from the ocean,
but she will not swim.

When lethargy seizes her by the spine
her bones telegraph a rattle-a-tat s.o.s.;
her atoms become bored, they incite

subtle dances of cellular rhythms
and metabolic war cries
that only she can hear.

III.
When we are honest
we speak ten thousand fragments
hammered from a cryptic core
far too brittle to be cleanly cleaved.

Each time we strike off misshapen shards;
which we string together like unfamiliar stars.
Until we finally stand in dismayed bewilderment,

listening to our own battering, forlorn echoes.
Head cocked, as if we cannot believe
such a din could ever come from us.

These poor words could never hope
to bear the loneliness we are dying to convey
—no matter how we burden them.

Amy has come to believe
that God sleeps when we sleep:
and that since there are so many of us now,
God is always sleeping.

Redhaired Amy breathes fire, daydreams into her smoke;
thinking that ‘reckoning’ is not
spelled with a W for a good wreason.

 

DC McKenzie
26 July 2k15
 

~*~

PS: My apologies, Gentle Reader, for the site’s editing program seems to have suddenly become stupid; or maybe it’s woken up, and is being obstinate. (an altogether horrifying idea, speaking personally) 
So, if you dig this poem please drop by in a day or two and see it with its proper structure on.
Yes, it’s naked and shaky, but I simply could not wait to run it out of the pen. 

—end transmission—


Extrusion Ex Machina

31 July 2016
UPDATE: This poem was selected for publication! Please see the details below…

11 July 2k15
Greetings, Dear Reader. It seems my earlier optimism regarding signal reacquisition was…a bit hasty. Nevertheless, I am still writing; still nurturing that sacred ember of creative flame which came so perilously close to dying in a cruel wind. And with that thought, I offer you a new poem. This one I dedicate to everyone…for each of us deals with our own measure of misery. And comparing them does a disservice to us all.

It is in the empathy we bring to the suffering of other living beings which is the true measure of our own humanity.


Extrusion

 

Please go to:
Cirque: A Literary Journal of Alaska and the Pacific Northwest to find this poem.
Thanks!

DC McKenzie

 

 

 

 

—end transmission—


Why Occupy?

8 October 2k11

It has been my honor to stand on the front lines at protests with Naomi Klein more than once. Although it is very likely that I remember her much better than she remembers me; for even then she was a fiercely charismatic activist and journalist. Someone you could rely on to remain calm no matter what was going down. Recently she wrote an article in The Nation following her speech at Occupy Wall St. in Liberty Park. Here are a few excerpts which I consider a privilege to share with you:

“‎…We all know, or at least sense, that the world is upside down: we act as if there is no end to what is actually finite—fossil fuels and the atmospheric space to absorb their emissions. And we act as if there are strict and immovable limits to what is actually bountiful—the financial resources to build the kind of society we need.
The task of our time is to turn this around: to challenge this false scarcity. To insist that we can afford to build a decent, inclusive society—while at the same time, respect the real limits to what the earth can take. What climate change means is that we have to do this on a deadline. This time our movement cannot get distracted, divided, burned out or swept away by events. This time we have to succeed. And I’m not talking about regulating the banks and increasing taxes on the rich, though that’s important.
I am talking about changing the underlying values that govern our society. That is hard to fit into a single media-friendly demand, and it’s also hard to figure out how to do it. But it is no less urgent for being difficult.That is what I see happening in this square. In the way you are feeding each other, keeping each other warm, sharing information freely and proving health care, meditation classes and empowerment training. My favorite sign here says, “I care about you.” In a culture that trains people to avoid each other’s gaze, to say, “Let them die,” that is a deeply radical statement.
“…We have picked a fight with the most powerful economic and political forces on the planet. That’s frightening. And as this movement grows from strength to strength, it will get more frightening. Always be aware that there will be a temptation to shift to smaller targets—like, say, the person sitting next to you at this meeting. After all, that is a battle that’s easier to win.
Don’t give in to the temptation. I’m not saying don’t call each other on shit. But this time, let’s treat each other as if we plan to work side by side in struggle for many, many years to come. Because the task before will demand nothing less.

Let’s treat this beautiful Movement as if it is most important thing in the world. Because it is. It really is.”

~Naomi Klein, copyright the author, and The Nation.

~*~

Naomi’s words cut through the dismissive wall of media interrogation demanding from this movement a single demand or goal. How can anyone accept such marginalization? They would certainly cry to the heavens if suddenly the media were all limited to just one question. Yet that is what they demand of us. However, there are just too many questions, too many crimes, to go unchallenged anymore. From here on out, everything will be different. The big question is, how different?

Why Occupy? So many still ask. I could go on and on about the financial ruin wrought upon Americans by avaricious, corpulent corporations who put profits before people, while our elected officials fill their war-chests and whistle in the dark. But you’ve probably heard that. I could tell you that we have not forgotten what happens under the yoke of taxation without representation. That too is nothing new; nor is the frustration of a nation at seeing our politicians strut about with their pockets so full of lobbyists and fat-cat CEOs that money is spilling out.

Instead, take this extraordinary scene, with almost the quality of a dream, and let it answer your question of “why occupy?” 
Today, hundreds have gathered in Town Square, Anchorage, Alaska. Like their bodies’ breath mingling in the crisp Autumn air, there is an undeniable energy pouring, flowing through the crowd. With no cops to brutalize them or deny them their Constitutional rights, they have found a way to express their outrage with joy, speaking their piece in peace. Such diverse people coming together with the same goal of demanding an end to everything from the despicable banking institutions who profit off of the poor and the desperate, to the pillaging of our country’s coffers for privatized war, to our hemorrhaging Social Security & welfare systems, to the despoiling of our land, water, and air in the voracious feeding-frenzy of our natural resources.

The grievances are as valid as they are endless.
Yet without fear driven into the crowd, they stand with dignity, even joy, calling for an end to this madness which has set upon our society. No rioting. No burning. No smashing. No hate. Such a sight is as beautiful a thing as you could ever want to behold.
They have peacefully assembled from the full spectrum of our community; not just a protest of experienced activists, although there are many in the ranks. But the majority are people who when asked generally say this is their first protest, or among their first: families with kids on tricycles smiling at job-seeking students smiling at black-clad anarchists who in turn are smiling at a guy wearing work overalls who is smiling at a woman in a suit; both of whom just got off of work and came because they are worried about the same thing every other protester involved in the Occupy Movement is: Our Future.

~*~

Shut Up and Revolt

Let us begin with the beheading of statues
bring what you have of axes and chains, hammers all.
…but no guns, this time it will not be with guns.

What rusty pleasure your hands shall find
when dented spade from your garden
meets downcast bronze despot.

Do not falter, for there is no sovereign ground
nor chiseled block of proud marble
where outrage loses its breath.

Such resistance as the hammer
will meet will
feel like Independence Day

to your bones; which, freed from the burden
of tyrannical muscle, discover sudden liberty.
But of hands and hammers, skeletons all, be warned:

Bones will fail you in this task.
Batter with your heart, not your hands.
For, in this work, bones shall never suffice you.

 ~D.C. McKenzie

—end transmission—


Rehabilitation Ward II

4 September 2k11

“Poetry surrounds us everywhere, but putting it on paper is, alas, not so easy as looking at it.” ~Vincent van Gogh

“Every where I go, I find a Poet has been there before me.” ~Sigmund Freud

This Journal, though I don’t post often, has been a labor of love; one that constantly calls me back to it…as a lighthouse beckons safe anchorage, or a Siren song amidst the waves, lures a ship to founder on the rocks.
My desire has been to create a haven of hope and empathy in the darkness of digital void.
And to that high-reaching aim I occasionally fail utterly; however, sometimes the right poem will find the right person. It changes how they perceive themselves, and the very world around them, both subtly and profoundly. When that happens it is among the most satisfying experiences for any poet—one that leaves us feeling deeply grateful for the opportunity to peer beyond the Veil of Life and share what we have found.

As a Poet, speaking to the soul of another human being is far more than a calling: it is an honor, a privilege, and I truly feel it is also a responsibility to emblazon our existence rather than cast shadows upon it. This is what we poets live for: not fame, nor glory, nor riches. But to touch the hearts of others, and perhaps help them find a path through this life.
This poem is dedicated here to a friend who has been a brilliant inspiration to me. She is a person who gives all of herself to help others find their creative voice. Friend, confidant, editor, and a gentle yet firm goad to keep working, keep digging for my truth. In so many ways she has helped bring out the best in me, as I deal with physical disability, and mental illness, all the while forging ahead as a poet. For that, I will be grateful to the end of my days. Here then is a poem she loves. I would also like to thank Bruce Farnsworth; an old friend who is both a gifted poet, and insightful editor. A true Wordsmith, Bruce cleaved this poem with one inspired strike into a work of beauty that I can be proud to offer to you.
It is also a poem based upon true events in my life. Parts of it may be disturbing to you, Dear Reader…but so is life.
I wrote it in the glare of unflinching honesty. I wrote it with the dream that those who also suffer from the terrible isolation and pain that comes with disability may find some peace, and freedom from despair.

~*~

Rehabilitation Ward II: Jose

Nurse Practitioner of the Dayshift,
Jose told the story of He versus Car.
His trauma was a debilitating hit and run:

They put cables and long screws in his head.
They put needles in his arms,
wires on his chest, and a tube in his penis.
Matter of factly, Jose said that he could hardly move.

Sunlight inundated room 718
of Jackson Memorial Hospital—
illuminated every flinching detail
lit every swarming corner
where things that eat pain lurk in the daytime.

Jose stood, stripping the bed of its foulness.
Washed in morning light, his golden-caramel face
was solemnly composed. He spoke
as he worked, glancing across to me
occasionally, where I fidgeted
uneasy in my wheelchair.

My hands—
(when I stop paying attention to them)
constantly seek the scar where beneath tight,
fragile stitches, rough against my fingers,
they burned out a tiny piece of my brain;
the brainskin where they grafted a piece of someone
who, having died, donated to me a priceless gift.

Turning again—
his too shrewd eyes lighting upon me,
measuring with care, Jose picked up the thread
of his story. He spoke of how he hated
the Asian Man washing his ass and jewels

after an enema. He spoke of walking at last:
with the long screws still in his head;
of shuddering down a cold hall, the cables snaking
away beside him; the tube trailing from his penis
and the iv pole straggling next to him,
small wheels squeaking.

He spoke—
of walking alone to the bathroom one night
of how he fell to the floor,
bouncing hard, bouncing halo
of screws and shocking pain.

Jose said, “The key to running
is to have the will to keep walking.”

He spoke then of lying on the floor
with iv pole askew, its precious cargo scattered.
Jose’s hands, everworking, paused.

His eyes—hard, black marbles
glazed over with distant memory.

He spoke of the hated Asian Man
lifting him gentle from the floor.
How he wept.

~D.C. McKenzie

—end transmission—


Just Us

4 June 2k11

~*~

This poem is dedicated with Love,

with gratitude, and my utmost respect to

Gil Scott-Heron

1 April 1949 ~ 27 May 2011

~*~

Just Us

I. the Idioglossia Concordance

Welcome to America,
the nation who put the ‘us’ in Justice.
America: be loyal or be vanished.
Now that you are in our country
learn to speak the language:

We have named it Freedom
yet it feels like oppression.
We think we hold the reigns
but in truth we have been shackled with chains.
A yoke of responsibility, of shame
for countless atrocities committed in our name.

We say Reservation:
yet it really means domination,
and may be read as ‘refugee camp’.

Christopher Columbus began the brutal language lesson
when he came to the New World, which was really an Old World.

Soon Settlers taught the First People new words, such as
redskin-Independence-firewater-OnlyJesusSaves-tuberculosis-genocide
and Liberty, which ironically rhymes with poverty.

What was defined as a Republic, a Democracy,
in practice reeks of hypocrisy, waving a bloody flag over
The Home of the Brave
The Land of the Free
—unless your name happens to contain ‘Ali’.

Paying the dues of the poor and the weak
Paying the dues of the Wannabe Free
It is a white voice of doom in the inner city night
blaring flashred from cop cars;
it is no accident that we paint them black and white—

To Protect and Serve,
police use words like commUnity.
Yet, after the butchering and rape,
Judges use words like copImmunity.

Therefore,
I do not pledge allegiance to the flag
of the United States of America,
or to the market brand for which it now stands.

One nation, under corporate domination.
With Liberty and Justice for some people, and indefinite detention
at an immigration and interrogation prison,
a humiliation and assimilation prison,
for other people. Amen.

II. the Bonehouse Accord

We each have but one chance
to do our part, our share in healing
the world and her children.
What will you do?

Better still, ask yourself:
what am I willing to give?
what am I prepared to lose?

What would you give if your life were not enough?
What if first you had to give up your home,
your family, and all of your stuff.
What would you give?

Do not wait until you are lying in the bonehouse
rotting and rattling before you ask,
Could I have done more?

Still, this feels useless—
for you have heard all of this shit before.
Maybe we will wave some signs, or send a check
to assuage (guilt) the wretched misery of
some poor kid halfway around the planet.

Maybe some of us will get off of our asses
and spend the rest of our lives,
every last drop of our spirits,
striving to ease the suffering
which is skulking all around us—
gnashing its teeth to jackboot thunder as
one human, every four seconds, dies of hunger.

Famine squats in the belly of the world.
While we inject air into sugar and lard,
shrink wrap it beneath stinking plastic
and sell it as food on tv, crammed between
commercials of starving refugees.

Yet we cannot seem to understand
why our children are obese.
We cannot understand why
they are turning to automatic weapons
as an answer to public education.

There are some places where
people are stoned to death merely attempting to vote.
Here millions just sit watching the tube
and getting drunk or stoned.
In the end, barely a fraction
of our fractious population actually votes.

Rooted upon the couch, we are
stunned by the absurd and
paralyzed by the gross:

Scientists are creating ethical obscenities—
growing the teeth of pigs in a lab rat’s belly;
whilst I can buy fourteen different types
of seedless raspberry jelly.

Why then will we not grow enough food
to feed the millions of hungry people
in this land of milk and honey?
Is it because we agree when the tv shows us
an asshole in a suit saying,
“Show Me The Money”?

Brandishing a Visagold-plated guarantee
that our lives shall be secure and livable,
our government has decreed that corporate crime
is forgivable. So also to insure that our citizens
from the Evildoers are defended,
every day more and more of our inalienable
human rights are being suspended.

Welcome then, to America,
the nation who put the ‘us’ in Justice.
America: be loyal or be vanished.
Now that you are in our country,
learn to speak the language.

~D.C. McKenzie

—end transmission—