Poetry and Rants by DC McKenzie

Fou Roux

29 July 2k10

On this night, 120 years ago, Vincent van Gogh passed from this life. He died in the presence of those he loved and who loved him. A rare blessing in his last days of torment and despair. Much has been written of his suicide, the painful details have been etched into history: That on 27 July, he finally lost the battle with the acute Depression he had been fighting for so many years; that he walked behind a haystack in a field where he had been painting and shot himself in the chest.

The bullet missed his heart and lodged in his chest, making it possible for him to walk back to the Ravoux Inn, where he had been staying. His brother Theo arrived the next day and stayed by his bedside, where Vincent quietly smoked his pipe, until the end.
Clinging to life for two days before succumbing to the injury, Vincent van Gogh died in Theo’s arms at 1:30 am on 29 July 1890.

Such was the bond between the brothers that Theo’s grief likely contributed to his death six months later, after protracted illness, on 25 January 1891. Today, at Johanna van Gogh-Bonger’s behest, their graves lie together beneath an ivy shroud, planted from the garden of Vincent’s physician and friend, Dr. Gachet.

Described as Grief-stricken by their mutual friend, Emile Bernard, Theo van Gogh would later write to their sister Elisabeth, “He himself desired to die. While I was sitting by him, trying to persuade him that we would heal him, and that we hoped he would be saved from further attacks, he answered, ‘La tristesse durera toujours~The sadness will always remain~’ I felt I understood what he wished to say.”


~The Sadness Will Always Remain
~

Reportedly, these were among Vincent’s last words. Yet the melancholy, the archetypal mad artist, would not be the only legacy Vincent van Gogh left to the world.
Far from falling into obscurity, as he believed he would, instead the world has come to cherish the genius, the vision of van Gogh.
A vision unique; one that changed the very way we perceive art, and the artist. I dedicate this poem not only to Vincent, but to Theo, who never gave up on his brother, who in many ways made Vincent’s oeuvre possible. With this poem, written with the utmost respect and empathy, I seek to drag the spectre of Mental Illness out into the light, that others who suffer may know that you are not alone.

On this 120th. memorial of the death of Vincent van Gogh, let us celebrate his life and the illumination he provided the world, which is his true legacy.

~*~

Fou Roux ~the redheaded madman

~by D.C. McKenzie


i.
Thirty good and wholesome
townspeople of Arles, neighbors all,
have had your yellow house closed by the cops
And you, Vincent, saw your worst fear come to pass
as, at last, you were hauled off to the Asylum.

There it took three days of solitary
confinement to regain your Self.

Gauguin is gone. It is true, Paul has left:
but not before it was too late
to stop the juggernaut of sorrow and arrest.
(and by the way, Paul Gauguin
you windbag, you…cross-eyed thief,

it had been raining for days on end—
how did you hear his footstep
so soft behind you in the downpour?
In the darkness, without lamp or light—
how did you see the blade with which
you claim Vincent menaced you so?)

ii.
You are scared now, Vincent…aren’t you?
All about you are the insane and their keepers.
Have you come to believe the vicious gossip?
Has it truly come to that at the last? Madness?

Or is it a worse ailment? Failure.
Not as an artist before the public,
that fickle beast, you know too well

it was never really about acceptance
rather, a failure to render your vision into reality.

That, I fear, is what broke youso finally, so completely.
Now, you are surrounded by chaos and heartbreak.
Bedlam brimming in broken minds: without order, without colour,
as if you have been cast upon a fey, monochrome wind.

Alas too, the sky above you has become foreboding,
pressing upon you as much so as the pressure of poverty
skulking in the shade. For to be a burden upon Theo
and his family is a thing you loathe most of all.

There is so much that I will never understand.
Yet, this I truly know, Vincent:

Hunger is nothing next to Emptiness
(don’t believe? try it.)
—a hideous non-thing that steals away our very senses.

Of emptiness there can be no solace.
It is a thing every suicide instinctively knows.
In the end, it is not loneliness, but emptiness
which we seek to escape; and by which we are undone.

iii.
The sky, hitherto your collaborator,
your vista upon a far too vivid Now, is shuttered.
It has become a coffer of looming cobalt clouds.
In this Now, even absinthe and spirits cannot ease the pain
or bring surcease to the seizure and the sorrow.

Smiling a scarecrow smile to even behold it

the sunlight which was once your gilded muse,

once your benevolent ally in a hostile world,

huddles forlorn in your cell

caught in a corner of the ceiling

where your brush cannot reach.

A sun that is present only amidst fields

populated by an unkindness of crows.

Furrowed ground lies beneath hulking slate-blue skies
and wheat sheaves, bound into pyre-like haystacks,
which you have roughly carved in cadmium and ochre
on a canvas barely able to withstand your demands.

Although they make much of the crows,
it is the blackviolet vault of the sky
which brings a stab of empathy
for the agony and despair of your last days.
Thunderclouds roiling greyblue
broken by oblique rays of a mantled, yet majestic, sun.

Oh, they make much of the crows, but…no, Vincent,
it is the turmoil of the skies that signaled your peril.


Wheat Field with Crows~Auvers 1890

—end transmission—

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One response

  1. Pingback: ‘Vincent could have told you’ A Poetry Challenge « Bookstains

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